Felix Walken

"So what if I'd spare him? In my mind, it's the certainty in myself that I possess which allows me to have that kind of mercy or compassion. There's no wavering on that point. It's fixed like the stars. The fact is, I'm never gonna be killed! So remember this: Mercy and compassion are virtues that only the strong are privileged to possess. And I...am strong."

- Claire to Ladd Russo

Felix Walken (フェリックス・ウォーケン Ferikkusu Wōken), also known as The Rail Tracer, introduced as Young Conductor, and born Claire Stanfield (クレア・スタンフィールド Kurea Sutanfīrudo) is the legendary freelance assassin Vino (葡萄酒 (ヴィーノ) Vīno), and considered one of the best in his profession.

This article will refer to him as Claire, the name by which he is most commonly known.

Appearance
Claire is a handsome young man with a lean build, blood-red hair, and red eyes. As a conductor on the Flying Pussyfoot, he wears a custom white uniform that later becomes coated in the blood of his victims. As a civilian, his signature outfit consists of a long black coat over a close-fitting black shirt and trousers.

When he disguises himself in 1932, he does so via a cheap set consisting of a hat, thick glasses, and a fake beard. He later reuses them in 1935 when visiting Firo's casino 'undercover', albeit wearing a black business suit rather than his normal attire.

Personality
Claire is a solipsist. He believes that the world is a dream of his own creation, and all the people are figments of his own imagination. He cannot picture the world without him in it, and so in his mind, he "can never be killed." If he does die, he will simply 'wake up' from his dream. His solipsism has led him to eschew the idea of immortality, as "it can do nothing for him." He considers himself the center of the world and takes pride in being such a cynosure.

That he may be dreaming the people in his world does not mean he does not care for them; like dreams, they can still be hurt or wronged, and leave his world upon their deaths. He is irate over Tony's murder, pursues Keith Gandor's kidnapper with a killer's intent, and is similarly more than displeased when a murder attempt is made on Luck Gandor.

As the President of the Daily Days puts it, Claire operates outside the law through his own warped sense of justice. Claire is considerate of those he deems innocent, going out of his way to ensure the safety of people who are not his targets and/or pose no danger. Co-morbid with his sense of justice is a sense of pride and duty; he takes seriously the responsibilities of the jobs he takes on, even for jobs which he dislikes or poses personal problems. Occasionally, he can go overboard with his professional zeal; for instance, when he encounters a stowaway on board the train he briefly considers confronting her despite being in the middle of a bloodbath.

Claire immensely dislikes it when people attribute his skill to God or natural talent. He emphasizes that he worked extremely hard to improve himself, and he wishes people would acknowledge the effort he put in rather than dismissively calling him a prodigy. Such pride sometimes leads to bragging on his part, and on at least occasion sincerely asking others to praise him for his skill—and on another, to mock the weakness of those he defeated However, he does not believe that there is inherent pride in being a hitman, for society looks down on killers and places no trust in such social outcasts.

His pride and confidence in his abilities make him rather self-absorbed, which in itself has made Claire somewhat insensitive and socially oblivious—lacking any "common sense" when it comes to "other people's hearts." Prone to making tactless remarks on top on already lacking any particular eloquence, he has additionally failed to pick up on sarcasm at least once and in matters of love can be a tad awkward. It is rare for him to apologize, especially at the request of someone else, but when he does his apologies are usually sincere.

The same can be said for when he praises others; in both instances, the other party has often earned his respect, and just as he is also honest in his criticism of others, he is honest in his praise and any accompanying enthusiasm or begrudging attitude. The value that he places in hard work and effort leads him to recognize and appreciate it even in those he might disdain as weak. He openly acknowledges the strength that he admires—going so far as to call Firo a "genius" in 1927.

This natural sincerity can both endear him to or aggravate others; due to how straightforward he is as a person, his sincerity (whether in his beliefs, feelings, intentions good or bad) is difficult to miss or dismiss. When he proposes marriage to Chané and promises to protect her father, it is his unmistakable sincerity in his intentions that gives Chané no choice but to believe he is serious. On the other hand, while Claire protects Melvi Dormentaire for Huey's benefit and out of a sense of duty toward his job, he does not bother to hide his contempt for Melvi nor that he plans on making Melvi pay once the job is done.

Claire has retained a sense of showmanship from his circus days, on one occasion sticking his landing with a performer's flourish, and on another catching and juggling knives thrown at him with malicious intent. During the Daily Days' raid of 1932 and the events leading up to it, he was especially fond of quoting the movie one-liner "You ain't seen nothing yet!" for dramatic flair.

Pre-1930
Claire is born in the Manhattan slum Hell's Kitchen, where his parents raise him in the same tenement building as Firo Prochainezo and the Gandor brothers. He befriends Firo and the Gandors at an early age, and the Gandors take him in when his parents die.

In 1919, Claire—as he is often wont to do—runs off to play without telling anyone where he is going. Firo and the Gandor brothers' consequent search for him leads them to a derelict building; at the sound of them calling his name, Claire pops his head through a hole in the roof and calls out to them in turn. Luck Gandor recoils and asks how Claire climbed all the way up there, to which Claire replies, "I tried real hard, and it worked." He adds that if one believes one can do something, one can do anything.

So saying, he flips off the roof beams—despite Berga Gandor's protests—and lands safely on the ground. Luck remarks that Claire gets less human every time Luck sees him, but Claire grins and counters that not even he can use magic: no matter how hard he tries, he will never be Peter Pan. Firo wonders if Claire is implying that he can do everything except magic, and Claire, rather than deny it, indirectly suggests that he can as long as he works hard.

Berga warns them that they should hurry home, as the Gandors' father strictly enforces curfew before dark. Claire and Firo agree in unison that "Old Man Gandor" is frightening when he is angry, a true mafioso who does not show even them mercy. To that, Berga replies that of course he does not: Firo and Claire are like family, which means they receive no special treatment. All five boys head back to the tenement.

After the death of the Gandor patriarch some time in or near 1920, Claire runs away and joins the circus, where he meets Gregoire the cook and is impressed by his raw strength, Parrot the animal trainer, a self-proclaimed vampire magician by the name of Doubs whose illusions Claire finds incredible, and a 'pretty girl' in boxing gloves who audience members can challenge for a dollar a pop. The audience member stands to win a hundred bucks from a victory, but most of the time nobody can land a hit on her. At some point during his circus years, Claire challenges her and 'wins' by stopping just of punching her, after which he promises to give the hundred dollars back if she goes on date with him. She punches him in the jaw.



In the winter of 1920, the circus' resident bear has grown so ferocious that he has tried to attack his own trainers. Claire announces that he will make the bear be quiet, and enters the bear's cage after making a bet with the circus' ringmaster and boss (a young man whose right eye socket is covered by a large scar; a red crystal where his eye should be). The specifics of the bet are unknown, but it can be inferred that if Claire 'loses' the circus will rid itself of the bear.

Claire, having doused his arm in hot sauce, declares that the bear's name will henceforth be Cookie. The bear sinks his teeth into Claire's arm in response. In the next moment, he releases Claire's arm and rolls on the ground, flailing his paws at the heat.

A masked clown asks what is going on, and Claire admits to the hot sauce trick. When a girl wearing a spiderweb-patterned leotard remark that the bear had bit Claire as hard as it could, Claire smiles and assures her that his arm will heal quickly. That said, Cookie would surely have broken the bone had he bit any harder.

The ringmaster agrees that Claire has won the bet and acknowledges his earlier promise, after which he orders Claire to ask Gregoire later for cooking wine with which to treat the bite wound. Various circus members cheer, but Claire rejects one's praise of him as a 'genius' and insists that his efforts were the result of hard work rather than prodigal talent. However, the ringmaster interjects: "But your hard work has never been in vain, Claire, and I think that's a pretty legitimate talent."

Claire spends the next several years training and performing as an acrobat, putting immense work into honing his athletic skills and agility. His circus career comes to an end sometime around 1925 when the troupe has a run-in with a large gang; by the time Claire and the ringmaster jointly defeat the gang, only a handful of performers and laborers remain—the rest having already fled for their lives.

The ringmaster is confident that the circus will reform once the dust settles, so in the meantime, Claire turns to freelance assassination for a living. He swiftly makes a name for himself in the underworld as Vino, the moniker inspired by his excessively brutal killing methods.

Through Gregoire's advice and aid, Claire secures work as a railroad conductor and learns the ropes of the profession from his senior Tony While his new job is at first merely a free and fast way for him to fulfill kill contracts across the country, it is not long before he takes his job as a conductor just a seriously.

During his time as a conductor, he invents and spreads the legend of the Rail Tracer, the 'one who follows the shadow of the rails'. According to the ghost story, the Rail Tracer is a monster that chases trains under the cover of moonless nights, merging with the darkness to take on all sorts of likenesses (such as a wolf, mist, or even an identical train to the one it is chasing). There is no way of knowing when it first catches up with the train; rather, one can only know that it has caught up with the train after one realizes that something is amiss. By then, it is too late to stop the phenomenon: a caught train's occupants will have already started to vanish, one by one, until there is no one left. The train, now empty, fades out of existence.

Telling the story of the Rail Tracer while on a train is tantamount to summoning it, as the Rail Tracer will target the storyteller's train next. However, there is one way to prevent the Rail Tracer's arrival: one must believe in the legend. If the Rail Tracer has already come, one must do whatever they can to avoid it until sunrise, at which point it will vanish with the morning light.

In September 1927, Claire returns to Manhattan and visits a Gandor-influenced eatery for a long-awaited reunion with Firo and the Gandors. When he easily catches a waitress' dropped dishes, Firo smirks at him from a nearby table and remarks that he is as "awesome as ever," though he does not look any different. The two chat for a little bit, fondly attributing any good qualities of theirs to Old Man Gandor, with the Gandor brothers finally arriving shortly after Firo asks Claire about his time in the circus.

Once Claire learns that Firo is with the Martillos rather than the Gandors, he wonders if they will have to kill each other should the Families fight. Berga thinks that they should drag Firo back to the Gandors, but Luck firmly reminds him of their promise not to discuss Firo's situation.

Anxious to dispel the awkward mood, Firo asks if Claire plans on attending the Feast of San Gennaro. Claire has not heard of the festival, so Luck fills him in on both the festival and San Gennaro's miracle, the latter serving as a segue into the "Phantom Father" currently making tabloid headlines: a supposed local serial killer who, according to rumor, miraculously does not die when stabbed. Claire remarks on Keith's visible disinterest in the conversation, and Luck quips that Keith prefers silent movies to festivals—especially since taking a shine to a certain lady accompanist.

Two nearby diners erupt into a drunken brawl, to which Berga puts a quick and violent end. Luck intimidates the brawlers by reminding them who owns the establishment; Berga apologizes to Claire while the drunks flee, but Claire does not mind and suggests that they go somewhere else. However, the group splits up almost immediately after exiting onto the street: with Claire, Luck, and Berga heading one way to check out the preparations for tomorrow's festival while Keith and Firo leave in the opposite direction.

The next day, Luck telephones Claire with foreboding news: Keith's bloody jacket and a smashed lollipop have been found in an alleyway, with Keith himself nowhere to be found. Luck formally requests Claire search for Keith in a professional capacity despite it being his day off, so Claire heads for the fairgrounds to do just that. Though Little Italy's streets are crowded, he manages to spot Firo running as best he can through the throng and get his attention.

He explains that he has been looking for Firo as they turn into an empty alleyway and asks if Firo has seen Keith, filling him in on Luck's call. When he mentions the smashed lollipop, Firo pulls a lollipop from one of his jacket pockets and says he received it from a priest named Donatello the day before.

Claire stretches and mutters that finding a priest in a [religious] festival will be difficult, and clambers up the nearest fire escape to the rooftops in nimble fashion; there, he shouts at Firo that he must not push himself—especially with a Camorra position on the line.

Now alone, Claire traverses Little Italy's rooftops in the hopes of identifying Donatello from above. His hunt comes to an end in an area on the festival's outskirts of the festivals, where he finds Donatello and Firo, the latter close to being on the losing end of a stake; reaching the ground just in time, Claire stops Donatello's strike cold before bodily knocking Donatello off his feet.

While Claire "feels bad" about hitting a priest, he claims there was no helping it since Donatello had messed with his family. Firo thanks Claire but suggests he hold back a few notches, though Claire disagrees: not only is he treating this as an official job, they can always extract Keith's location from Donatello so long as they keep the priest alive.

Donatello, meanwhile, has gotten to his knees. Claire acknowledges that the priest is tougher than he gave him credit for, but Firo uneasily points out that Donatello's face is unmarred. AT this, Donatello divulges that he is under divine protection: just like San Gennaro was unscathed by fire, "The righteous will revive again and again." As he charges at Claire with a stake, he claims that that is why he continues to administer judgment to unpunished crimes. Claire kicks the stakeout of Donatello's hand, grabs it, and stabs it through Donatello's right wrist. While the two fight, Firo observes in astonishment that the priest's wounds are healing. He asks if Donatello really is the 'Phantom Father', whereas Claire brightly exclaims that [the healing] must be a magic trick.

Donatello declares that everything is a part of God's plan, including how the 'depraved' city of New York will be 'reborn' after the festival—when the mafia will be given a warning. Claire presumes Donatello means Keith as a warning, while Donatello insists that he is being kind; he was advised to start out with a weak mafia and thus chose the Gandors, although he could have chosen the Martillo mafia instead.

At Firo's indignation over the misnomer, Claire waves his hand and says that he understands why Firo is mad, but points out that the priest is right: they are with the mob. He and Donatello move their fight up to a rooftop, where Claire mercilessly inflicts more and more damage unto Donatello—two stakes through his right thigh and a hard blow to the jaw for starters. Through bloody lips, Donatello asks what on earth Claire is. Claire's reply is blasé: "It's hard to sum me up in a word, but...well, I'm just a hitman. Don't worry about it."

With that, Claire delivers an uppercut to Donatello's jaw. Firo joins them on the rooftop a second later, distracting Claire long enough for Donatello to retreat at a sprint. Claire is surprised to see him heading in the opposite direction of Little Italy, and then alarmed to see Firo take chase. He calls out, "Firo, don't!" but he is too late; Firo grabs the priest around his torso, and the two fall off the roof.

Donatello's fall is aborted when a flagpole impales him through his torso, while Firo lands safely in a pile of bags and boxes. Once Claire reaches the ground and confirms Firo is all right, he helps Firo to his feet and sincerely deems him a genius. Firo brushes off the praise, nursing a bruised jaw—and then he realizes the dead priest has up and vanished.

Claire ascends the fire escape to investigate; not only is there no sign of Donatello, but the flagpole is also uniformly clean of blood. Firo curses—Donatello was their best chance at finding Keith—but Claire urges him to have more faith in Keith as a person. Once he rejoins Firo below, he adds that—thanks to Firo's actions—he now has some idea of where the priest might have gone, and tells Firo that he can leave the rest to him and Keith.

After the two-part ways, Claire heads away from Little Italy and toward the sight of smoke rising over the rooftops, which turns out to be a church on fire. He arrives at the scene in time to see Keith emerge unscathed from the fiery interior—much to his delight—and upon reaching Keith praises him for having "pulled out all the stops" once again. Then, he apologizes for letting the responsible party escape. With dark intent, he promises to someday kill Donatello so thoroughly as to leave behind a pool of blood.

The two return to the Gandors' base of operations, where an immensely relieved Luck and Berga welcome them back. Keith reveals that he let himself be caught on purpose, much to his brothers' outrage, and his apparent disregard for his own life exasperates Luck beyond measure. Claire reminds Luck to thank Firo as well, without whose efforts Keith would have had a tougher time moving around. Berga asks if Firo is all right, and Claire grins and says that Firo is fine.

In the same year as the San Gennaro incident, Firo asks Claire why he became a conductor— leading Claire to reminisce about the circus and the women he has encountered over the years. When Firo marvels at Claire's confidence with women, Claire reminds him that the people he meets are only characters in 'his world'. He knows that he will run into them again if he needs to; if he does not, it means they were not all that important to him in the first place. He is hardly lonely as it is, and adds that he never felt lonely even when the circus broke up; he is sure he will meet his troupe members again someday, from his boss to Cookie and the rest.

Firo wonders what he means by Cookie, and Claire relates the story of how he tamed Cookie back in 1920.

A few of the freelancer jobs Claire takes on in the years before 1932 are for the Runoratas. Meanwhile, starting as early on as his time in the circus, Claire meets, proposes to, and is rejected by countless women; despite the constant, unilateral rejects, Claire is able to easily move on each time on the grounds that he simply has yet to meet "the one."

1931
In December, Luck calls Claire to inform him that the Gandors' ongoing turf war with the Runoratas is escalating for the worse. Claire promises to return by train at the end of the month and help the Gandors in their feud.

Over the ensuing weeks, he secures a spot as one of the conductors on the transcontinental luxury express Flying Pussyfoot—one of the fastest trains available. He also contacts the railroad company to inform them that he will be on leave once the train arrives in New York. On December 29, the day before the train departs, Claire tries out the Rail Tracer story on the Flying Pussyfoot 's bartender Jon Panel. Jon dismisses it as hogwash.

On December 30, late afternoon, Claire and an older conductor dress in the custom white uniforms of the Flying Pussyfoot and prepare for the train's departure. Claire is disappointed to learn that Tony—soon to retire—will not be working alongside him, but duly sees him off and focuses on cross-checking passengers with his passenger list. When he stops a lone young boy and asks for his name, the boy introduces himself as Czeslaw Meyer. Later, when most of the passengers have boarded, he notices a young woman standing alone on the platform. Concerned, he warns her of their imminent departure and asks if she dropped something; she shakes her head and boards the train.

Claire says to himself that with someone that pretty as a passenger, he is suddenly much more eager to get to work. Stretching, he boards the last car and enters the conductor's compartment. The Flying Pussyfoot departs from Chicago's Union Station for New York's Pennsylvania Station that evening without problems.

It is only several hours into the journey when the middle-aged conductor speaks to Claire for the first time, commenting on the loneliness and fear commonly experienced by those in their profession. Claire emphatically agrees, confiding that he has heard so many scary stories from other conductors while on the job that it can be hard for him to fall asleep.

Despite Claire's claim that he is 'no good' with such stories, his eyes shine brightly as he talks. What is more, he eagerly launches into a retelling of the Rail Tracer legend when he realizes that the older conductor has never heard of it. Right before he can reveal the one way to prevent the Rail Tracer from coming, the older conductor stops him so that he can perform the period check-in with the engineers. Claire tries to resume his story once the conductor switches on and off the exterior lamps, but gamely agrees to listen to the older conductor's tale first.

The older conductor's tale starts with the Lemures, a group of 'ghosts' whose leader has been imprisoned by the United States' federal government. Outraged, the Lemures plot to take over a hundred people hostage—including a Senator's family—and privately negotiate an exchange with the government, forcing them to make a decision before 'the train' reaches New York.

Claire takes a step back, asking his superior if he means Senator Manfred Beriam and the Flying Pussyfoot. The conductor—revealing himself to be a Lemur—announces that the Lemures' plan on using the hostages as a shield once they reach New York while they make their escape. Claire retreats further, bumping into the wall, and the older conductor identifies the Lemures' leader as Huey Laforet, due to be interviewed by the US Department of Justice the same day the Flying Pussyfoot is due to arrive in New York.

When Claire asks why the Lemur is telling him all this, the Lemur explains that he is emulating Huey's mercy by informing Claire of the reason for his death. He pulls a handgun out of his coat and aims it at Claire's head—revealing that, unlike Claire's story, he has no way for anyone to be spared. With that, he fires.

The instant the Lemur pulls the trigger, Claire kicks the gun out of his hand and catches it, immediately aiming it at the man's head. He rejects the Lemur's statement, pointing out that a person can easily be spared if they kill their would-be murderers first, and then rejects the Lemur's plea for him to stop. Right before he kills the Lemur, he reveals that the only way to prevent the Rail Tracer from coming is to believe the story—and if the Rail Tracer is already present, to avoid it until sunrise. In a cold, dispassionate voice, he tells the Lemur that his death will awaken the Rail Tracer and that the Rail Tracer will go after the Lemures.

Claire shoots his superior through the forehead. Blood splatters against the walls right as a man wearing the custom conductor's uniform enters the compartment. Though Claire wastes no time in pointing the gun his way and demanding he identify himself, the man is unusually nonchalant about both the gun and his disguise failing so quickly. Observing how calm the fake conductor is despite the clear threat to his life, Claire tosses the gun to the floor and decides he will have to employ torture.

While the fake conductor laughs at the idea, Claire unlocks the door leading to the outside and crawls under the train, hooking his legs around metal fittings. Once the fake conductor follows, he swiftly pulls the man down with him and holds him in a full nelson over the fast-moving tracks. He proceeds to torture the impostor by grinding his hand against the ground, and then his arm when he refuses to talk.

By the time the fake conductor's arm is gone up to the shoulder, he has confessed almost everything about himself: his name is Dune; he belongs to the Russo Family; and he and the rest of an R—usso-expelled faction led by Ladd Russo plan to hijack the Flying Pussyfootthe details of which he shares in turn. When Claire asks his final question—where Dune got such an exclusive uniform—Dune in his pain-addled state admits to killing Tony and stealing his attire.

Dune immediately realizes his mistake and tries to backpedal to no avail; enraged, Claire pushes his head downward at a deliberately slow pace. There is enough time for Dune to cry, "What the hell are you?", and Claire replies with his full name and his alias 'Vino' before forcing Dune's face to the earth below.

Once Dune is dead, Claire climbs back into the conductor's compartment and flings Dune's corpse down onto the floor. Coated in Dune's blood, he uses his finger to draw two bloody red stripes below his eyes and becomes the Rail Tracer.

Claire resolves to honor his two duties as a conductor and the Gandors' sworn brother: to deal with both the Lemures and Ladd Russo's White Suits while protecting the passengers, and to ensure that the train never stops or slows during transit and thus make him late to meet the Gandors. He achieves the latter by repeatedly returning to the conductor's compartment to perform the scheduled light checks in-between killings throughout the journey. He mostly moves via the train's exterior rather than the interior, picking off Lemures and White Suits by pulling them through open windows.

One of his first kills is done in this fashion: he pulls a Lemur called George through the open window of a freight car, killing him. He does the same to his horrified companion. Clinging to the side of the freight car, with one arm hooked around the Lemur's broken neck, Claire reflects on his upbringing with the Gandors and his promise to do his duty by them in New York. He reaffirms that he cannot afford to let the hijackers stop the train, only to realize that somewhere along the way he had put the Gandors to the side in favor of the passengers, whom he is genuinely worried about.

That he has honestly enjoyed working as a conductor makes him smile, and he disposes of the Lemur's corpse. A problem quickly makes itself apparent: a third Lemur had witnessed him dispatch the second Lemur guarding the freight car and gone to contact his comrades via a transmitter in the freight room. Knowing that the room's lock is broken, Claire climbs inside the train and seizes the Lemur, hauls him through the window and under the train, and holds him against the ground like he had Dune. In the process, he notices an unfamiliar woman poking her head out from underneath the fittings. Distracted at the thought that she might be a Lemur or a White Suit, Claire accidentally lets the Lemur's legs get caught in the wheels, causing his lower half to separate from his body.

Not entirely sure if the Lemur is dead or alive, Claire flings the body back into the car; his excessive force causes the torso to hit the ceiling before falling to the floor. Upon realizing the woman is more likely a stowaway than a hijacker, he briefly forgoes his murderous intent for his role as a conductor and asks to see her ticket.

The woman screams and crawls away from him as fast as she can. Angered, Claire considers either tossing her off the train or publicly shaming her at the station before remembering that he is supposed to be a monster, not a conductor. He returns to the freight room and collects a few ropes, tying a long one around his waist and pocketing a thin, short rope inside his coat before returning to the hunt, passing the wireless transmitter on his way out.

Later on, Claire kills two White Suits in a third-class compartment and tosses their corpses out the window, followed by the corpses of the compartment's previous three Lemur occupants. He prepares to return to the rear car for the periodic check-in—only to change tracks upon spotting Czeslaw Meyer and three White Suits heading inside a freight room. He climbs out of the train and enters the freight room via a trapdoor on its floor, proceeding to eavesdrop on the conversation behind several crates.

Czes asks the White Suits' leader Ladd if he will kill all the passengers in the dining car for him. In exchange, he offers a monetary sum of two hundred thousand dollars and a promise to put in a good word on Ladd's behalf to the Runoratas, to whom he intends to sell his smuggled explosives to the Runoratas once in New York. Such an outcome, as Claire is well aware, could be potentially devastating for the Runoratas.

Negotiations fall through, and Ladd blows Czes' head off with his shotgun. Claire is surprised that he completely failed to pick up on Czes' dark personality on the platform, no longer thinking of him as a child. At the sound of two passengers talking outside the freight room, Claire retreats through the trapdoor to the underside of the car, positive that Czes has been killed. Reasoning that this is a good thing, he decides to head to second class in search of the White Suits...only to remember that he still has to make the scheduled signal and once again change tracks.

He resumes course for the rear car, checking for Lemures along the way. For some reason, a 'weird gunman' is hanging around the car, but a tattooed young man and a giant lead him away in time for Claire to make the signal. Afterward, Claire crawls under the train back toward the second-class carriages, and upon peeking through a window is perplexed to see two third-class passengers where he should have seen White Suits. One of them is Doctor Fred, who is currently attempting to treat the wounds of the other third-class passenger Jack.

The door opens and in walk the two White Suits who had accompanied Ladd for his negotiations with Czes. While Fred and the male White Suit exchange words, the female White Suit—Lua Klein—makes eye contact with Claire and regards him silently. Thinking her a little strange for her lack of reaction, Claire decides to leave the room be for the time being—only to hear two sets of footsteps pounding against the roof. He hoists himself upward to see a woman chasing after a man in white.

Claire descends under the car and returns to the connecting platform outside the third-class carriage. Through the carriage door's window, he spies Czes walking down the carriage's corridor despite having died before Claire's eyes only a few minutes before. Frowning at this turn of events, he enters the car and follows Czes into one of the third-class compartments. He is inordinately pleased when Czes identifies him as the Rail Tracer and promptly announces his intention to kill the false child.

Panicked, Czes shoves his sleeve up and takes out a sharp, scalpel-like blade, which he slashes at Claire's throat. Claire grabs the offending arm with his right hand and uses his left to tear out a chunk of Czes' throat. Taking the scalpel, he kicks Czes' small body to the wall and prepares to leave, thinking that Czes is dead for certain this time around. The sensation of Czes' blood shivering on his hand makes him stop, and he watches the blood return to Czes' body.

As soon as Czes' throat wound closes, he cheerfully remarks that he'd expected something far worse from the Rail Tracer, and with a giggle reveals that he is immortal. Claire cuts off and rejects his next question, correctly predicting that Czes was going to ask him to kill the dining car passengers, and with a well-practiced throw buries the scalpel into Czes' forehead. Once Czes regenerates, he sneers that there isn't anything Claire can do to him that he hasn't experienced already, having been tortured in the past.

Claire dismisses Czes' past experiences as 'hobbyist stuff', rattling off a list of counter-examples he has learned for the sake of his profession. He snatches the scalpel with his teeth when Czes tries to stab him with it along with the fingers that grip it and bites Czes' fingers cleanly off. Spitting out the flesh and scalpel, Claire correctly deduces that Czes fears the unknown—that there is some unknown level of pain that he has yet to experience. Wiping away Czes' tears, he promises to inflict that unknown pain upon Czes until he forgets to come back to life.

Claire proceeds to torture Czes until he cannot take the pain anymore and tries to jump out the window. Though Claire manages to grab him just in time, he ends up falling out the window too—but he catches the piping between the train's wheels with his legs before he can hit the ground. Curious at what grinding off body parts would do to an immortal, he whittles off Czes' legs and right arm against the ground and is about to do the same to his remaining limb when he spots the stowaway woman from earlier. He calls out to her, causing her to scream and flee under the train at a speed that impresses even him.

The woman's presence reminds him of the main problem of the Lemures and White Suits; irritated at himself for getting distracted, Claire uses the thin rope to tie Czes into the space between the wheels and leaves him there. Figuring that he owes the woman for getting him back on track, he decides to let her live and turn her over to the cops as thanks. However, he fully intends to return to punishing Czes to the point of insanity once things are resolved.

Reaching the dining car, Claire peeks through a window and finds two Lemures standing guard on opposite ends. Crawling under the car to turn off its electric generator, Claire climbs back up and pulls one Lemur out a window, and then runs along the ornamentation attached to the car's exterior wall to the other end, where he pulls out the second Lemur. Before he kills the man, he asks him to applaud him for achieving such a feat on the first try.

After switching the generator back on, Claire peeks into the dining car again and is disconcerted to see more Lemures. He dispatches one on the coupling in view of the second Lemur, who flees for First Class. Claire decides to let him go and heads for the rear car to make another light signal. There are two passengers inside the conductors' compartment when he enters it—one a smiling blond, and the other a wounded man in a black suit.

Claire asks them not to enter the conductors' compartment without his permission, at which the blond apologizes and assures him they plan on leaving. Claire observes the second man's injury and wonders who he is, only for a knife to pierce through the wall and nick his ear before he can receive an answer. He excuses himself and climbs onto the roof of the rear car, where he finds Ladd and the young woman who had chased Ladd on the roof—the same young woman he talked to on the platform—in a face-off.

Through Ladd's recounting of information he gleaned from a now-dead Lemur, Claire learns that the young woman is Chané Laforet, the daughter of Huey Laforet. He also learns that Huey did not order the hijacking and that Chané was against the plan from the beginning.

Chané draws her knives back in anticipation of an attack, but Claire pinches both blades between his fingers in a move that announces his presence to the two of them. He chastises her for poking a hole in the compartment—pointing out his nicked ear—and demands that she apologize. When she indicates that she is mute, he apologizes for being in the wrong. Walking past Ladd, he tells them to resume fighting, adding that he will kill whoever survives.

Ladd demands that Claire explain himself, tossing a knife at him once he blows him off. Claire neatly catches the knife and proceeds to dodge every punch Ladd throws at him, landing a hit of his own in the process, and asks Chané if everything Ladd said was through. When she nods, he offers to help her out in the fight. Furious, Ladd points out that Claire has been killing off both his people and the Lemures—so him helping out Chané makes no sense. Claire counters that after listening to Ladd earlier, Chané seems to be one of the good guys.

Increasingly upset, Ladd launches a tirade of character put-downs and accusations at Claire, accusing him of hypocrisy, of being the sort of guy who would save children shooting at him on a battlefield if he felt sorry for them. Claire agrees that he would do exactly that, because he is strong to the point where he never has to worry about the possibility that he might be killed. In accordance with solipsist philosophy, he explains that the world is his and that it revolves around him: as long as he believes he can do something, he can do it.

Soon pushed to the brink, Ladd attacks Claire again and again without success and is soon humiliated when Claire whips out his pistol and shoots Ladd's ear. Training the smoking muzzle on Ladd's forehead, he proclaims that he had not used the pistol until now because bare hands were enough for a 'nobody'. He tells Ladd to die wallowing in humiliation, in order to make amends for Tony. With a laugh, Ladd asks how Claire plans to 'slaughter' him.

Brooding, Claire looks toward the direction of the coupling and spots Lua climbing up onto the roof. He asks Ladd if the lady in the white dress from earlier means anything, and Ladd confirms that she is his fiancée. With a vicious, cheerful smile, Claire predicts that Ladd will voluntarily jump off the train. Ladd turns, following Claire's gaze straight to Lua—and breaks out into a cold sweat. At the protective horror in Ladd's expression, Claire takes out a special rope looped at both ends from his pocket and reminds Ladd of his prediction.

Ladd rushes over to Lua while Claire unwinds the rope, but even with his head start he does not reach her in time; Claire flings one end of the rope and lassos Lua's neck, and then lassos its other end around a passing post. Just as he predicted, Ladd leaps toward Lua and wraps his arm around her, using his right hand to grab hold of the rope. The two of them are whisked off the train.

Claire watches Ladd punch the post and crumple to the ground along with Lua, and remarks to Chané that while Lua appears to be alive, he cannot make a judgment call on Ladd. Since he said earlier that he would kill whoever survived, he is not sure what to do. Upon confirming that Huey is Chané's father, he asks her if she would rather fight him to the death or hire him to kill Huey's attackers.

Chané's expression indicates that she is worried Claire might try to steal Huey's immortality. He guesses that she feels like only she can truly protect her father as a family—and since Claire is not family, she cannot trust him. Along with the options 'hire' and 'fight', Claire suggests a new option: marriage. If she and Claire marry, then they will be able to protect Huey together as a family. He promises to sincerely love her (though if she prefers he supposes Huey could alternatively adopt him), and insists that he is serious: he will not sell her out, and he has no interest in becoming immortal.

A gunshot rings out, and Chané takes a bullet to her shoulder courtesy of her comrade Spike the sniper. After making sure that her wound is not life-threatening, Claire advises her to jump into the upcoming river to avoid arrest after carving her response into the roof for him. Noting that Chané's eyes are similar to his, he points out that Chané left proof of her existence on him by nicking his ear, something he finds significant even if it was by accident. Inviting her to throw a knife at him, he takes off in the direction of Spike, dodging every bullet the sniper shoots at him.

After taking care of Spike and throwing him off the train, Claire heads straight for the locomotive to check on the situation, arriving there right as several explosions go off inside some of the first-class cars. The train's elderly engineers ask him if they should bring the train to a halt and he emphatically tells them to do the exact opposite, lying that a posse of train robbers of horseback are currently following the train and shooting at it. His lie works and the brothers vow to run the engine at full speed.

Claire departs with the excuse that he needs to prepare to evacuate the passengers, thanking the engineers when they warn him to be careful. What he really wants to say is thank you for all you've done for me up till now, but he cannot under the circumstances. He reflects that even though the world revolves around him there are a lot of people he is indebted to, and frets that he will not be able to look the Gandors in the face ever again should the train be late.

Claire heads back to the rear car via the train's exterior, pausing briefly to check on the dining car passengers along the way. He moves on once he confirms they are in the process of tying up several Lemures and White Suits, and comes across a passenger called Turner aiming a rifle at the stowaway he encountered before. Becoming increasingly angry with Turner as he watches the confrontation, he finally decides to help out the stowaway by dropping Turner off the train. When the stowaway pleads with Claire to kill her before Turner can, Claire slips behind Turner and dislocates his shoulders.

Before he can dump Turner off the train, the stowaway picks up the rifle and pleads with him to spare Turner's life—his, and all the rest, offering her own life up in place of the others. Taken aback, Claire asks her why she would go so far. She explains that she inherited a love for trains from her father—a railroad technician—and cannot bear to watch Claire sully the railroad's pride with all the blood he has spilled. Without hesitation, she acknowledges that she is just as guilty of sullying its pride as he is.

Delighted and entertained by such logic, Claire notes that she has once again reminded him that he is conductor before pulling out a bloody, torn ticket from his pocket. He offers it to the stowaway—Rachel—on the condition that she keep quiet about his conductor gig. As he walks into the third-class carriage, he remarks that the stowaway is 'pretty amazing' and that he might have fallen for her had he not met Chané—though he muses it is not unlikely that they will meet again. He also adds that he has only killed Lemures and White Suits so far, at which Rachel invokes Czes and calls him a liar.

Czes vaguely suggests that she ask Czes about himself, pulling upon the door to the compartment where he'd tortured Czes earlier. There, he finds a woman in a bright dress leaning more than halfway out the window, crying out for her companion Isaac. In an ensuing series of events, Miria, Isaac, and Czes fall off the train, leading Isaac to try and lasso something—anything—only to fall short. Rachel grabs hold of his rope, but her injured leg cannot hold the weight and the lasso is torn from her grip.

Claire catches the lasso just in time and passes it onto Donny, the giant currently dumping the smuggled cargo from the freight room into the river. He is surprised when Donny unexpectedly identifies him as the Rail Tracer; he also decides to turn a blind eye to him and his companions stealing the smuggled cargo for the sake of the Gandor Family.

With Isaac, Miria, and Czes taken care of, Claire arrives at the roof of the rear car and considers the tattooed youth Jacuzzi Splot and his girlfriend Nice Holystone before him. Recognizing Jacuzzi to be the leader of the robber gang, and that Jacuzzi intends to slay him-the-Rail Tracer, Claire waxes lyrical over Jacuzzi's eyes as the sun rises and decides to let Jacuzzi defeat him in accordance with the Rail Tracer's legend.

Jacuzzi charges forward and tackles Claire off the train, pulling the pin on a grenade as they fall. Claire halts their descent by hooking his legs between the wheels and urges Jacuzzi to throw away the grenade if he does not want to injure his girlfriend; Jacuzzi tosses it just in time. Claire enters the conductors' compartment through the window and sets Jacuzzi on his feet, muttering that only idiots think about going out in a blaze of glory before they start fighting.

He tells Jacuzzi to go see doctor Fred in Second Class' Room Three and sends him off with the advice to not keep women waiting. Once alone, he empties the contents of the intact grenade he had claimed from Jacuzzi over Dune's faceless corpse and then shoots at it with the Lemur conductor's pistol in order to ensure that the corpse will be mistaken for 'Claire Stanfield' by the police.

Claire returns to the roof and discovers Chané's message carved into a portion of it. The message pleads for him to find her in Manhattan. Though he is a little put out by how challenging it will be to find her—and that she did not directly answer his question—he is keen to consider her message his first love letter and removes it from the roof as a souvenir.

Either before he finds her message or after—at the very least, the moment the train passes over the bridge—Claire is moving along the side of the train when he spots Cookie the bear next to Jacuzzi's retrieval team by the river bank. He has no idea why Cookie of all bears is by the river and is hit by a wave of nostalgia for his circus days; after briefly wondering if "coincidences like this" really does happen, he reaffirms that seeing Cookie is proof that the world truly belongs to him.

The Rail Tracer vanishes with December 31's morning light.

Once Claire arrives at Pennsylvania Station around 2:00 PM, he gives one of the station's staff a letter to the Gandors that instructs them to meet him in an alley near the building. Claire wastes no time in getting down to business when they reunite, wanting to get to killing as soon as possible since he is in need of some 'real' exercise. That, and he has to go search for someone who might marry him.

When Luck refers to Claire as 'Claire', he responds by saying that Claire is officially dead, as far as the records are concerned. Luck points out that legally dead people cannot get married, and a dismayed Claire immediately wonders how much it costs to buy a new name before suggesting that his brothers call him Vino or Rail Tracer for now. Berga finds this unspeakably lame, and the two start brawling in the alleyway while Luck and Keith look on.

The fight eventually comes to an end; impressed, Claire remarks that Berga must have gotten tougher considering that he emerged from the fight unscathed. He follows the brothers back to Coraggioso, where everyone else is absent except for Tick Jefferson, and once again asks who the brothers want dead. He warns them that he will have to psyche himself up if they want Don Bartolo Runorata murdered—since Bartolo once hired him for a few jobs—but adds that he can kill capo Gustavo Bagetta with no problems.

Luck requests that Claire not do anything, and clarifies that all he wants Claire to do for now is walk around town as a deterrent.

1932
On January 1, 1932, Claire and Tick buy Tick a new set of scissors and return to Coraggioso's basement, where they spread the scissors out on the table between them. When Coraggioso waitress Edith enters the basement, Tick greets her from his chair while Claire takes one of the scissors and jabs its tips into the spaces between his five fingers, faster and faster, opening and closing the blades every time he strikes. Tick admiringly calls such a feat 'cool' and expresses an interest in attempting it himself. Claire advises him not to, warning him that it is extremely painful if one accidentally cuts oneself. Convinced, Tick compromises by deciding to try it out on his next torture victim instead.

Tick then calls to the Gandors in the next room and informs them of Edith's presence. Edith confesses to the brothers that she has betrayed them, and Claire occupies himself by juggling five of Tick's scissors while the brothers huddle and try to figure out how they are supposed to punish a woman. Growing bored, Claire whispers something in Tick's ear that leads Tick to ask Luck if he can cut Edith's hair. The brothers settled on this as suitable punishment, which only further solidifies Claire's belief that they are not suited for the mafia life after all. Tick cuts Edith's hair right then and there, while Claire in the meantime attempts to juggle twenty scissors at once.

After the haircut, Edith confides to the brothers that she is looking for a hitman named Vino. Claire stops juggling the scissors and says, "You rang?"

Edith explains that an information broker called Henry offered her a deal: he would sell her information on her missing boyfriend Roy Maddock if she could scrounge up info on Vino and his connection to the Flying Pussyfoot. Claire follows her to The Daily Days, where he promptly kidnaps Henry and takes him for a joyride aboard a night train. Henry is forced to ask Claire his questions while Claire dangles him off the rear platform, just like Claire had done with Dune.

Claire eventually hauls Henry up to the train's roof, where he proceeds to ask Henry two questions of his own: one involves the whereabouts of Chané; and the other involves information on how to buy a new name—Henry tells Claire all about a legendary assassin who has been selling his name—Felix Walken—to interested buyers (who in turn have sold the name to others).

Claire later seeks out one of the so-called Felix Walkens to negotiate to buy the name, which he eventually buys from a thirty-something-year-old woman.

On the morning of January 2, Claire dons extremely thick glasses, a fake mustache, and a fake beard. Thus disguised, he heads to Gustavo's meeting place (a Wall Street hotel) and enters the pertinent room, where Gustavo and his subordinates are meeting along with the hitmen Maria Barcelito, Alkins, and Laz Smith. Claire announces that while he is flattered they went to the trouble of calling him (believing him to be the legendary Felix), he already has a previous job that takes precedence (he does not believe in double-booking). Gustavo tries to appeal to him with the promise that he will have the opportunity to fight 'Vino', and when that fails decides to hire him to kidnap Roy and Eve Genoard instead. Claire agrees, and the two talk rates.

Gustavo gives Claire Roy's and Eve's location, which turns out to be the home of Keith and his wife Kate Gandor. Claire shows up at Keith's house, busts the door down to the room Roy and Eve are in, and asks if they are who he believes they are. Roy demands to know what Claire did to Kate, but Claire responds by punching Roy's solar plexus. Roy passes out, and Eve runs to him in fright.

Claire tells Eve that he is impressed she ran to him instead of away from, and, jabbing his revolver into Roy's back, assures her that he did not hurt Kate as she is currently out and about. He has Eve stand; hoisting Roy over his shoulder, he mutters that they have to hurry so he can deliver them to the Daily Days. Roy comes to during the trek, and Claire marches them both to the Daily Days' back door at gunpoint. He finds Smith and a Runorata subordinate talking outside the entrance, and Smith remarks to Claire that hitmen like himself and Claire are guaranteed to have a 'few screws loose' in their love for their job. Claire warns him that all his talk of sanity and craziness makes him sound 'incredibly lame', and forces Roy and Eve through the doorway.

The three head up to a third-floor storeroom, where Luck, Berga, and Keith are in the middle of confronting Gustavo, Maria, and various Runorata subordinates. Claire leads Roy and Eve inside the room, casually apologizing for interrupting. Gustavo thanks him, and proposes a new job for the famous handyman Felix Walken: that he ties up the Gandors so tight that they cannot move. Claire replies that such a job would require a fee of 'thirty quadrillion dollars' before shooing Roy and Eve out of the room with the warning, "Hide, go hide."

Disgusted, Berga wonders what Claire is doing in such a 'getup' while Maria asks Luck where Vino is. Claire raises his hand: "You rang?". The Runoratas freeze and Claire takes off the glasses and fake bead; wincing, he introduces himself as Felix Walken (aka Vino, or the Rail Tracer), and recounts his meeting with Old Felix. He interrupts himself to whip out a small pistol and fires it at Alkins, just as another gunshot goes off. Alkins crumples to the floor, holding a smoking gun, and his bullet buries itself into the wall behind Claire. Grinning, Claire attempts to look cool by quoting the movie The Jazz Singer: "You ain't heard nothin' yet!"

Maria is the first to break the ensuing silence, excited at the thought of being able to kill both the legendary Vino and Felix Walken in one swoop. Perplexed, Claire asks the Gandors whom he is supposed to kill anyway, to which Luck reminds him that he still wants the situation to be resolved peacefully—much to Claire's chagrin. Claire finally mentions that he thinks Roy and Eve were Kate's guests, so maybe Luck should try to keep them safe.

Luck instantly heads for the door to find the two, immensely irritated that Claire failed to tell him sooner. Claire notices that Keith frowned at the mention of Kate's name, but before he can comment on it Gustavo bolts for the door on the opposite side of the room. He tries to aim his gun at Gustavo's back, but Maria uses one of her katanas to knock the gun out of Claire's hand, giving Gustavo the chance to escape. Maria whistles at that, since she had been aiming for Claire's wrist.

Claire asks her to knock it off, since he is not exactly keen on killing women. Mad that he is making fun of her for her gender, Maria slashes her katana down at him—only for Claire to whip out one of the scissors he had nabbed off Tick earlier and use them to block the blade. As he catches the katana between the blades of Tick's scissors, he corrects Maria that he is not making fun of her because she is a woman; he is making fun of her because she is weak.

Maria draws her other katana and tries to stab Claire's abdomen with it, but Claire takes out another pair of Tick's scissors and uses it to block that katana too—still holding off the other one. As the two hold their own against each other, Smith off to the side takes out his guns and prepares to open fire on both of them—only for Berga to step in and pummel him before he can shoot Claire.

The duel continues, culminating in Claire pressing the tips of Tick's scissors against Maria's throat. His upper hand assured, he looks over to the Runorata subordinates and asks what they plan on doing now. Several of them turn to Keith, click their heels together, and announce that they will be leaving. Keith nods, and they exit the room. Claire and Maria are visibly dumbfounded, and Berga explains that half of the men were moles who helped secure an agreement between the Gandors and Bartolo.

Their exchange is interrupted when Claire leaps to the side, hurling the scissors in his right hand toward the opposite side of the room. A gunshot rings out, and a bullet grazes Maria's hair and buries itself into the wall; at the same time, the scissors bury themselves into the shoulder of the out-cold Smith, whose body Alkins is using as a shield. Smoke curls upward from Alkins' gun.

Claire drops Tick's other pair of scissors and engages in a gun battle with Alkins, dodging every bullet the other assassin shoots. He exclaims that he had thought Alkins looked like the strongest of the three assassins back at the hotel, and Alkins mutters that he is relieved the rumors about Vino do not seem to be faked. Claire points out that Alkins' hirer Gustavo seems to be all washed up, and wonders why Alkins is still carrying out his job orders. Alkins says that he has a personal interest in "Vino's head," and adds that he cannot simply up and betray his client even if he is gone.

Claire is mystified by this, considering that it only makes sense for someone 'weak' like the other assassins (compared to him, who is 'strong') to give up or run, then outright laughs when Alkins brings up the 'pride of a hitman'. Laughing and laughing, he argues that there is no pride in their profession—the second you kill somebody, you are scum to society. Nobody trusts a hitman.

Keith presses the muzzle of his handgun to the back of Claire's head, cutting his rant short with an order to not scoff at how others live. Claire attempts to counter the point that Keith and his brother are different from the three assassins, but Keith denies this: he says that they are the same. Claire finally turns around, meets Keith's gaze, and apologizes—he had forgotten that Keith is a "stickler for that dumb pride stuff" too.

Murder blazes to life in Keith's eyes, and he slips past Claire to kick Alkins to the floor before he can carry out another attack.

In the aftermath of the Runorata raid, Claire grumbles about how he had gotten more exercise on the Flying Pussyfoot before wandering off to track down Chané.

About a week and a few days after the Flying Pussyfoot arrives in New York, Claire visits Alveare in search of Firo, only to learn that Firo is currently showing a couple of his friends (Isaac and Miria) around his casino. Feeling that it would be rude to join their outing, Claire exits into an alleyway and prepares to head home—and discovers Rachel and Czes conversing outside.

He greets the two with amicable ease, and wonders out loud since when they were so friendly with one another. As neither recognize him without all the bloodstains, they ask who he is; still smiling, Claire indirectly identifies himself as the Rail Tracer by assuring Czes and Rachel that he plans to let the two of them off for their misdemeanors on board the train.

Rachel's old fear from the train wells up in her heart, while Czes screams and flees into the alleyway as a child possessed. Now alone with the Young Conductor, Rachel looks him up and down and finds that he looks altogether pleasant and ordinary for a bloodlust-filled predator. With another smile, Claire suggests that the two of them take lunch at the Alveare—as it happens, he is in need of a lady's advice.

The two of them enter the speakeasy to mild interest from the Martillos and patrons, who soon return to their own business. Once they claim a table and place their orders, Claire says that she should call him by his new name 'Felix Walken' rather than his old name 'Claire Stanfield'. A little perplexed but not brave enough to ask him why, she instead simply gives her name as Rachel and asks him what advice she needed.

Claire explains that he is in love with a certain woman—not Rachel, he insists—and asks how he should confess his love. Despite his lack of sensitivity and Rachel's own lack of 'normalcy', Rachel decides to help him as carefully and cautiously as possible. They proceed to converse over his romantic chances with Chané, Claire's past failed romantic proposals, how Claire feels about Chané, and how Chané could potentially feel about him.

Once Claire affirms that he already asked an information broker where Chané lives, Rachel suggests that he buy Chané a gift and see how she reacts: if Chané really is trying to kill him, she will probably react differently than if she were in love with him. Claire starts mulling over knives and military uniforms, but seriously takes into consideration Rachel's suggestion of 'everyday clothes' instead.

He thanks Rachel for everything and calls on waitress Lia Lin-Shan to put their lunch on Firo's tab—giving his name as Felix Walken, rather than Claire Stanfield—and leaves the speakeasy.

During the next several days, Claire acquires an elegant white dress with lots of inner straps for knives and sends the dress to the Genoard Family manor on Millionaires' Row. Attached to the dress is a simple message: [From: the Rail Tracer].

On the day the dress arrives, Claire loiters on the streets outside the Genoard manor in hopes of spotting Chané. When she exits the manor, followed at a distance by a few delinquents, she is wearing the dress he sent her. Not long afterward, an automobile trundles down the street and comes to a stop several meters in front of Chané and the others. From the automobile emerges Graham Specter, a blond mechanic who knocks down the delinquents with a large wrench and spirits Chané away via the automobile.

As the delinquents sprint back toward the manor, Claire—who witnessed the events leading up to the kidnapping—murmurs that he did not expect Chané to wear the clothes he sent her so soon, but that he is happy that she is. He wonders who the blond in blue was, whether or not he should go after the automobile, and why Chané went along with the blond so willingly.

Claire eventually decides to go after the automobile and traces it to an abandoned factory, blending in with a large number of Jacuzzi's gang by the time they have blown a hole in the factory wall. Jacuzzi, from where he has interrupted Graham and Chané's fight inside the factory, is surprised to see his friends; Graham, meanwhile, points out that the kidnapping note he left behind specifically asked Jacuzzi to come alone. When all of the gang members individually respond that they came to the factory 'on their own', Claire does the same.

Graham accepts this logic, much to the exasperation of his lieutenant Shaft, but Jacuzzi muses that one of the "me too's" sounded unfamiliar. He, Nice, and the rest of the gang members turn to look at Claire, and Chané takes the opportunity to lunge at him—only, her knife hesitates before it reaches his neck.

Claire assures her that it is all right if she still wants to kill him, confesses that he does truly love her, and then asks for her hand in marriage. The look in her eyes is enough to imply that she is frightened, and he promises her that he will not destroy her world but expand it, if she can only put her faith in him.

Impatient over being thoroughly excluded from the conversation, Graham asks if they could kindly return to the topic at hand. Claire condescendingly gives him 'permission' to do so, although he declares that he will 'step in' should Graham still intend to confront Chané and her friends. Graham ignores Claire's opening to let him retreat and demands to know who he is, to which Claire responds that he is Felix Walken.

Claire soon reveals that he is the one who 'dropped' Ladd from the Flying Pussyfoot, and Graham immediately attacks him. The two's ensuing fight is relatively one-sided, with Claire effortlessly evading Graham's variety of tools and combat tactics. Even so, Claire compliments Graham on exceeding his expectations and even suggests that Graham is stronger than his idol Ladd. When Graham later demands that Claire apologize to the laws of physics and the power of a swung wrench, Claire credits his various fights against Cookie as what trained him to withstand such impacts.

It takes several minutes of fighting before Graham realizes that Claire has not actually executed a single counterattack against him, after which he concedes the fight and admits he cannot lay a finger on him. He announces that Claire is Ladd's enemy to fight, and offers Jacuzzi and his gang open access to the abandoned factory before taking his leave.

With Graham's gang finally out of the picture, Claire takes Chané's hands and tells her—emphasizing only her—the name of his soul, an act he compares to taking a vow. He finally gives her his true name—Claire Stanfield—and though he is already a little embarrassed at how long it took for him to introduce himself, he decides to embarrass himself further: he says that they can start off as friends if that is what Chané wants, but asks if she thinks she might be able to fall in love with him someday. She looks away, but the light pink flush of her cheeks is all the answer he needs.

1933
In September, the delinquents send Jack to fetch Claire and ask for his help. Jack and Claire meet in a gloomy room, where Jack brings Claire up to speed on what has just happened to the gang: the delinquents were paid a visit by negotiators from the Gandors and the Martillo Family's chiamatore terrifying Ronny Schiatto, both factions confronting Jacuzzi's gang over them operating on Martillo turf without permission. Jack says that the gang is hiding in the abandoned factory for now, and pleads with Claire to join them so that they can negotiate with Ronny on equal terms.

Claire points out that he has no particular obligation to Jacuzzi's gang, but agrees to come if only for the sake of his "precious fiancée." He asks how Chané is doing, and is on alert as soon as Jack says that some weirdos scratched up Chané's face. Jack assures him that Chané is fine, but the assurance does not mollify Claire for long; Claire declares that he cannot allow these 'enemies' to get away with hurting Chané, let alone anyone who hurts a woman's face. When Jack informs him that the one responsible was also a woman, Claire pauses and then says that he firmly believes in gender equality.

Once Claire is finished changing clothes, he declares that the 'show' is about to begin—a show where he is the lead actor, and Chané the heroine—and once again quotes, "You ain't seen nothing yet."

Jack and Claire head to the abandoned factory, where they find Dallas Genoard busy talking up Jacuzzi and the rest of the delinquents, with Chané among them. Claire embraces her from behind, and as she relaxes into his arms, assures that everything will be all right now that he has arrived. Still hugging her, he turns the full weight of his gaze onto Dallas, who is instantly intimidated. Jacuzzi timidly interjects by calling Claire's true name, which Claire chastises him for before checking in with Chané once more. He says that he will make sure the gang comes to no harm, that he will deal with Luck, Ronny, and Huey, and that he will make whomever scratched Chané's face pay.

Once his attention returns to Dallas, he warns Dallas that anyone who wants to use him as a pawn had better know what they are doing when they do. He confirms that he overhead Dallas' speech to the gang, and lays out how he has interpreted the situation: Dallas is trying to use the gang as his pawns against the Larva group, the weirdos that Jack mentioned. Waving away everyone's surprise, he tells Dallas that he can go right ahead and use him and the gang, because he and the rest of them will use Dallas right back.

As Dallas breaks out into a cold sweat, Claire asks if he is hiding something else. Dallas is, though he is not sure to which specific secret Claire is referring.

Eventually, agreements are reached and Dallas and Jacuzzi's gang leave the factory for the Larva's SoHo hideout, leaving Chané and Claire behind. Sometime after, Tick and Maria arrive at the factory, with Maria intimidating Eve and Fang Lin-Shan via the threat of her blades. Upon finding the factory seemingly empty, Maria draws one of her katanas and holds Fang at sword point—and Chané immediately throws a knife at Maria from where she stands in the shadows. As the two women face-off, Tick spots Claire—also hidden in the shadows—and Claire, realizing that he has been found out, steps forward and asks if Tick is the Gandor negotiator.

Tick says that he is happy to see Claire, as it has been a while since they last met, and Claire asks why the 'amigo-woman' is with him and why the Gandors would send their torture specialist to negotiate versus someone else. Tick explains that the Martillos have already seized control of the main talks, but the Gandors had to send someone—and so they sent Tick because he was free at the time.

Claire tells Chané that everyone is fine, since Tick is his friend and the 'amigo-woman' is weak. When Maria shivers, he remarks on the 'overreaction' and asks if perhaps she lost to someone recently. Her reaction is as good of an admission as any, and he assures her that 99.9% of the world is weak compared to him anyway, so she should not feel too upset.

He soon turns his attention to Eve, whom he remembers as a friend of Kate and Luck; however, Eve does not remember him as he was in disguise at the time. He asks what she is doing here, at which Fang hastily exclaims that she is the one loaning the gang the use of her house. Claire, admitting to being genuinely surprised for once, exclaims that he had not expected Dallas' little sister to be such a genial young lady.

At Dallas' name, Eve anxiously asks if he knows her brother. Her desperation is palpable, so Claire truthfully replies that Dallas is going to carry out an infiltration job with Jacuzzi's people. Right then, Jack returns to the factory and reports to Claire that everything is going to plan on the gang's end and that it looks like they will be attacking Nebula's Mist Wall with Dallas the following day.

The next day, Claire, Chané, Tick, Maria, Fang, and Eve travel together to the Mist Wall and gather outside its entrance, the glass doors of which Maria peers through and reports that all the employees appear to be knocked out. Claires hedges that they are likely just asleep via sleeping gas rather than dead, but Fang is cautious enough to suggest to Eve that the two of them wait outside. Claire supports Fang's suggestion, and reassures Eve that he will at minimum guarantee Dallas' life.

Chané and Claire approach the front doors and examine the locks; when Maria and Tick join them, Claire plucks a hairpin out from Maria's hair and starts picking the lock. Moments before the lock is due to open, Ennis arrives, violently kicks the adjacent door off its hinges, and races inside. She stops just for a moment to take in the sight of all the bodies, and then disappears inside the elevator.

As the party of four watches Ennis go, the lock clicks underneath Claire's fingers, and the door swings open. He concedes that Ennis "showed him up" with her total destruction of the other door, and then—despite the door being a type that opens outward—pushes against it. With a great creaking, the door bends inward. Claire vows that he will not let Ennis "get away" with it, muttering something about lodging a complaint with "the broad," and when Maria accuses him of immaturity retorts that there is no such thing as 'immature'; the line between adults and children is practically nonexistent.

Whatever Chané 'interjects' leaves him quite bashful, and he warns that he may blush if she carries on. He blushes anyway when Tick calls them "lovey-dovey," and amicably thumps Tick's back for the comment. The four of them enter the lobby and take the elevator up to the top floor's Babel Restaurant.

The elevator reaches the top floor with no ado, only for someone to fling three knives at it in the seconds prior to the doors opening. However, Claire catches all three knives with no fuss and even briefly juggles them as he exits onto the restaurant floor, followed by his three companions. Firo, one of several people in Babel, calls out Claire's birth name in shock; Claire, who had not expected to see Firo either, greets him and remarks that he is still as baby-faced as ever.

Realizing that it has been a while since they last saw each other, Claire informs Firo that his current name is Felix Walken. Christopher Shaldred—the homunculus who threw the knives—demands to know who Claire is and how he entered the building, but Claire dismissively tells him to be quiet. Upon surveying the restaurant, he turns to Jacuzzi and remarks that things appear to have gone awry, although all the people 'napping' in the lobby seem to indicate that the knockout gas maneuver worked.

Christopher shares a glance with Adele at the word 'napping', and then laughs that Claire must be a comedian—no one could have seen all that blood and seriously thought the employees were asleep. However, his words are drowned out by cheering from Isaac & Miria from the kitchen, where they are crouched on either side of the prone body of the restaurant manager.

The corpse of the manager sits up, astounding everyone while perplexing Claire's group—none of whom know that Christopher shot the manager dead. From the emergency stairwell, Hong Chi-Mei shouts a warning for Christopher to retreat posthaste: every single Nebula employee in the building is an immortal. Chi's revelation sends chills down the spines of several of the people in the restaurant, though it fails to leave much of an impression on Claire, Tick, and Maria.

Christopher is disinclined to leave, but his suggestion that Firo and Ennis can simply devour all the immortals does not go over well with Firo. Firo tells Ennis that they should leave, but Christopher needles Ennis by bringing up the likelihood that either she or Firo know how to create a near-perfect homunculus. As Firo leads Ennis toward the elevator, Adele—at Christopher's signal—charges toward them and thrusts her spear at Firo's head.

Claire intervenes in the second before the metal can pierce Firo's skull, catching the spearhead between his fingers. He coldly admonishes Adele for attacking his friend, and Firo advises the homunculi against antagonizing "the strongest human around." Still holding the spearhead, Claire observes that it is cross-shaped and deduces that Adele must be the perpetrator behind Chané's facial cut.

Since he utters this realization out loud, Chris reacts by thrice firing at him with his knife gun. Claire deflects all three bullets with the spearhead, deliberately angling the ricochet of one so that it grazes Adele's cheek, leaving behind the same sort of horizontal wound she had given Chané. Christopher asks if that was on purpose, and smiles a smile that Claire does not understand.

Tim enters the restaurant via the emergency stairwell and shouts at Christopher and the others to retreat, but Christopher—his gun and attention still trained on Claire—initially refuses. He changes his mind once Tim rephrases the request as an order, very deliberately points out that this means he now has 'free time', and immediately charges at Claire. Though Claire is surprised, he counters by striking forth his foot. Christopher, having predicted the move, jumps into the air; by stepping on Claire's outstretched thigh, he is able to slam a full-force knee-kick into Claire's jaw.

The impact sends Claire reeling backward, but he recovers in time to grab Christopher's wrists before he can impale his throat with the knife-guns. He admits that he was honestly startled, and the two briefly tussle before Claire puts some distance between them and compliments Christopher on being the 'third-strongest' person Claire has met. The second is the Former Felix, and the first is himself.

Once they both affirm that they want to continue the fight, Claire smashes one of the restaurant windows and suggests that they take the fight onto the pyramid roof so as to remove the risk of collateral damage (namely, injury to Jacuzzi and the rest). The two of them head into the pouring rain and onto the slanted roof, which is already slick with water. Chané and Chi follow, despite the protests of Jacuzzi and Tim.

About halfway up the pyramid, Claire and Christopher have another ferocious exchange of bare hands versus knife-guns. One of Christopher's bullets ricochets off the building and accidentally strikes Claire square in the shoulder, creating a natural lull in the fight during which time they converse with equally matched composure.

It is only after Christopher talks about all the people he has killed over the course of five decades that Claire designs to observe that he is out of bullets. Christopher does not bother to deny it, as it is clear he was stalling for time. When the subject of friends is broached, a silver chakram then whizzes from an unknown location toward the back of Claire's head—and Chané catches it on the blade of her knife mid-air.

Christopher and Claire resume fighting, while Chané busies herself with deflecting the various silver chakrams thrown both at her and at Claire. Eventually, the chakram thrower—Hilton, calling herself Leeza—speaks to Chané with a disembodied voice. Her question as to what Chané would do if Huey asked her to kill Claire agitates Chané, giving her the opportunity to hurl five chakrams Chané's way.

Chané deflects the first four but does not see the fifth, so Claire catches it between his fingers before it can tear out her throat. He then takes it upon himself to answer Leeza's question: Chané can carry out Huey's orders and choose him at the same time. She can continue trying to kill him, he can keep defending, and they can love each other throughout it all.

Once Chané smiles, Claire flings the chakram at Christopher and proclaims that he must be the source of the 'mystery voice'. Christopher dodges it, objecting to the absurd claim, and asks how Claire was going to explain the chakrams; Claire claims that they 'flew' their way by 'accident'. As he tries to climb to a higher terrace, he realizes that they have reached the very top of the Mist Wall.

The two men continue their fight until an inexplicable break in the clouds occurs above them, at which point Christopher revels in the sunshine even as the rain continues to pour. Just then, a sizable explosion from the restaurant causes the roof to shake underneath their feet. Claire looks down at the flames and inwardly recognizes them as the work of the same explosives smuggled aboard the Flying Pussyfoot; after a long moment, he asks Chané to head back and check on the status of those inside Babel.

Once Chané is gone, Claire performs some light warm-up exercises and proclaims that it is time to 'get serious'. Leeza throws six chakrams at his back, but he sees their reflection in Christopher's eyes, catches them without turning around, and flings them at Christopher. Christopher dodges, but Claire predicts where he moves and puts his hand around Christopher's throat. He admits that he had been holding back all this time because he enjoyed fighting alongside Chané, snatches another chakram out of the air, and divulges the trick with the reflections when Christopher asks.

Christopher concedes that Claire is "humanity's strongest," and as such, God may actually love him. Claire harshly rejects the implication that his skill is God-given rather than the result of his own work, and asks if Christopher is ready to admit that he lost. When Christopher attempts to stab him, he slams Christopher's head into Mist Wall. As Christopher's consciousness fades, Claire quietly assures him that he is far closer to nature than Claire is.

After Christopher blacks out, Chi darts into the sunshower and sternly declares that Claire has 'done enough'. Claire observes that Chi did not come to Christopher's aid in the fight, to which Chi responds that he would have had this been official business—though he will do so now should Claire still intend to finish Christopher off. Claire agrees that he would have killed Christopher, had this been official business, but at present, he is unwilling to kill those who work for Chané's father so haphazardly.

Chané rejoins the two of them a moment later, and the look in her eyes is all Claire needs to be reassured of Firo and Jacuzzi's group's safety. He hauls Christopher up and chucks him at Chi, who slings Christopher over his shoulder and makes his way down to the restaurant.

With the fight more or less concluded, Claire waits until Chi is out of sight and then turns to Chané to make a confession: had Christopher used a decent weapon, Claire just might have "broken out into a cold sweat." For someone like Claire, this is the highest possible compliment he will afford an opponent.

When Claire and Chané re-enter the scorched restaurant, they find Chi, Christopher, Adele, and Dallas missing. Claire idly asks Tick where Dallas went, and Tick simply replies that Dallas left first.

As the restaurant situation has also concluded, everyone takes the elevator down to the ground floor in turns. Claire and Chané are the second group to leave. As the elevator descends, Claire mulls over the involvement of Huey, Nebula, and Christopher's group in the Mist Wall affair and how little he understood it. To be so out of the loop is something that frustrates him immensely, and he resolves to visit Huey in Alcatraz the next time 'something' happens. Then, puzzled for once, he remarks that he feels like he is forgetting something important.

In the aftermath of the Mist Wall incident, Claire calls Luck and requests that the Gandors treat Jacuzzi's gang well.

1934
On a certain day in December, Claire and Chané arrange to meet at Madison Square Park. Claire is looking forward to the meeting so much that he arrives at least half an hour early, only to find Chané already there. He finds the sight of her sunlit and lost in thought so beautiful that he cannot bring himself to disturb her, instead content to observe her from afar.

As such, he is present when Chané is approached by the Former Felix and Spike, though he fails to recognize the latter. He remains stationary when the Former Felix stops Chané from attacking Spike, but when close to ten black-clad men enter the park and head in Spike's direction, takes it upon himself to join their numbers. Spike grins when they arrive, only to then frown at the sound of one pair of footsteps too many.

Claire has already reached Chané's side by the time everyone's attention is on him, and he loops an arm around her shoulders and explains how he had been watching them from the start. He proceeds to have a one-sided conversation with Chané until Spike irritably interjects, at which point he introduces himself as Felix Walken, Chané's fiancé before berating Spike for making Chané 'cry'.

Spike asks the Former Felix if he really sold his name to a 'wacko' like Claire, and then wonders whether that means Claire is an assassin. It is at this point that Claire finally remembers Spike as the 'sniper from the train', and remarks that "even in [his] business" it is an uncommon thing to see someone survive being dropped face-first off a train.

Abruptly, clearly panicked, Spike shouts at his men to retreat and bolts. His men follow, and Claire starts after them—only for the former Felix to grab his legs and whip his body back. While upside-down, Claire puts his index finger to the Former Felix's lips and then twists mid-air, breaking free of the man's grasp to land on his feet.

After Claire compliments the Former Felix's skill as "not bad," the Former Felix asks him where he obtained his new name. At Claire's admission that he bought it from a "really awesome dame, somewhere in her thirties," the Former Felix muses that he did not expect so many 'more generations' in such a short period of time. He tells Claire that they will soon meet again as he leaves to join Spike's group; Claire outthrusts his arm, calling for the Former Felix to halt, but Chané grabs the outstretched limb to stop him.

Claire is initially concerned that Spike's group has injured her, but at her urgent look, realizes that she is worried about Jacuzzi and his friends. He pulls her into a hug, and loudly requests that the Former Felix tell his boss to choose his fights more wisely. The Former Felix agrees, and then stops when Claire asks a final question: to whom did he sell his name? After a moment, the Former Felix says that he sold it to multiple people, including an Asian man, a black man, and a white man.

1935
1935 to be added.

2002
By 2002, Claire is in his nineties and the great-grandfather of Charon and Claudia Walken. Healthy and fit as ever, he spends some or all of that August salvaging a Caribbean shipwreck in the hopes of finding a pirate's "treasure sword" for Chané.

Abilities
(To be rewritten)

Claire's professional name "Vino" is well feared in the criminal underworld, as exemplified by Gustavo Bagetta—who was so terrified at the prospect of having to face the legendary killer that he hired freelance assassins left and right just to stop him. Many powerful assassins would like nothing more than to defeat Vino in combat, since such a feat would prove their own strength.

His speed, strength, and dexterity are far beyond the boundaries of an ordinary human His physical abilities are heightened to the point where he can perform any physical activity without difficulty. He merely needs to imagine himself doing the act in his mind, then he is able to perform it without any problem. This is first showcased on the Flying Pussyfoot where he was considered enough of a threat to be considered an entire third faction of his own against several homicidal hitmen from the Russo Family and the Lemures; after all, he managed to take down and severely traumatize both parties. He also defeated the highly dangerous and well-feared hitman Ladd Russo, known for his ruthlessness and killing capability, and even a homunculus by the name of Christopher Shaldred.

At a young age, he showed such promise that he caught the attention of Huey Laforet.

Claire's time in the circus allowed him to pick up and hone acrobatic abilities that would later serve him well aboard the Flying Pussyfoot, where he was able to move effortlessly atop the roof and below the cars despite how fast the train was moving.

His solipsistic persona also gives him somewhat controversial, but ultimately effective and surprising ideas in the midst of battle. For instance, Claire could tell that Leeza Laforet had thrown her chakrams at him from behind by noticing the chakrams' reflection in Christopher's eyes.

Relationships
Chané Laforet—Claire is completely and utterly in love with Chané. He proposes to her minutes after meeting her for the first time—though it should be noted that he proposed to every girl he took a liking to. However, Claire does not move on when Chané initially rejects him (like he has done with all the other girls). Instead, Claire pursues her in Manhattan and goes so far as to seek Rachel's advice on how to confess his love for her.

When Chané struggles with her feelings towards him, he informs her that he will be happy to start out just as friends, so long as he can be by her side. It is unlikely that he would have done this with his other old flames—Chané is the first person who has 'engraved proof of her existence onto his world', referring to when she nicks his ear on board the train. Very few people have managed to lay a blow or cut on Claire, which is likely why he fixated on her rather than giving up.

Claudia Walken—Claudia, like many of Claire's descendants, strongly echoes him in appearance and personality. Like Claire, she is a solipsist and extraordinarily confident in her own self. It is unclear how much of her personality was simply influenced by her spending time with Claire versus Claire directly imparting wisdom upon her; however, her respect and affection for him lead her to take the advice he does give to heart—such as his advice to propose marriage on the spot to whomever she might have the least bit of a crush on.

Charon Walken—Claire's great-grandson. While Claudia takes after Claire in personality, Charon has followed in his athletic and acrobatic footsteps and works as a child stuntman. Like Claudia, he inherited Claire's red hair; however, he chooses to dye his hair black.

Huey Laforet—Huey is Claire's father-in-law, the two meeting for the first time in 1935-B: Dr. Feelgreed. Claire initially assumes Huey is Chané's brother; once he is corrected, he enthusiastically thanks Huey for bringing Chané into his world and is so eager as to henceforth call and refer to Huey as his father=in-law. Grateful to Huey for Chané's existence, and aware of how much Chané cares for her father, Claire treats him with respect and endeavors to put himself in Huey's good graces; moreover, he has agreed to guard Melvi for Huey in exchange for Huey's blessing towards his future marriage.

Where Claire is eager enough to please, Huey is emotionally indifferent; he finds Claire interesting to observe and a potentially useful asset, but is otherwise unconcerned or moved by the strong possibility of Claire being his future son-in-law.

Firo Prochainezo—Claire and Firo are childhood friends, and their interactions reflect that closeness. Claire cares about Firo and has saved him on at least one occasion (e.g. from Donatello in 1927).

Keith, Berga, and Luck Gandor—Claire cares for his foster brothers, and in fact initially offered to work for them for free (though they would go on to refuse him; he works at a discount instead) when he became an assassin. The brothers freely tease Claire and are generally relaxed around him, and Claire and Berga continue to have friendly sparring matches as they used to when they roughhoused as young boys. Perhaps most notable is that Claire holds a great deal of respect for Keith; Keith might be the only man who has ever gotten Claire Stanfield to sincerely apologize, and that in itself is awe-worthy.

Renee Parmedes Branvillier—Renee is Claire's mother-in-law, and the two meet when Claire catches Renee attempting to break into the Runorata manor. Her resemblance to Chané leads him to initially guess that Renee and Chané are sisters, though he is swiftly corrected. He has promised to do an unknown task for Renee in relation to Ra's Lance in return for Renee "handing over" Chané to him (i.e. she will give up on 'collecting' her daughter).

Rachel—Claire is initially antagonistic towards Rachel on the train on account of her stowing away. However, he warms to her when she begs him to stop killing people on the Flying Pussyfoot, tearfully revealing her passion for the railroad, so much so that he remarks he might have proposed to her had he not already met and proposed to Chané. In 1932, Claire asks her to lunch so that he may consult a woman in the ways of romance. The two have an amicable conversation, and part on friendly terms.

Trivia

 * Claire cameos in the opening of the 2007 anime as the nameless Young Conductor, purposefully misleading viewers as to his importance and true identity. However, in lieu of a nameplate, the champagne bottle he catches foreshadows his identity as Vino.
 * The name 'Vino' refers to the exceptionally messy state Claire leaves his victims in, blood pooling around their corpses like wine.
 * He is the franchise's most popular character. However, Ryohgo Narita has no intention about writing a story with him as the main character; he feels that such a story would "move too fast without any plot or action."
 * Narita has called him "Baccano!'s number one problem child."
 * The Funimation dub's ending credits credit Jerry Jewell as the Rail Tracer, despite Claire only speaking once as the Rail Tracer before his identity is revealed. Furthermore, he is the only character who has a two-word name cited in Baccano!'s ending (both when he is credited as the Young Conductor and Rail Tracer).
 * The red hue of his hair differs across media. In the light novels, his hair is blood-red, in the anime his hair is lighter in the first few episodes. Some official artwork depicts his hair with a rustier hue.
 * The 'vampire magician' Claire admiringly remembers in 1931 ~ Winter: The Time of the Oasis is Doubs Hewley—a character from the Naritaverse series Vamp!.
 * As a child, Claire's role model was Peter Pan. The narrative also draws parallels between Peter and Claire, who has been described at least once as an "adult who had never grown up."
 * Huey Laforet and Chané Laforet traveled to Manhattan shortly before or in September 1925 in order to seek out and attempt to recruit Claire after hearing of his skills. By that time, however, he had already joined the circus.
 * The disguise kit Claire favors is cheap and sold in stores, and just so happens to be the same type of kit Dallas buys last-minute in 1935. It also just so happens that Nader Schasschule intends to disguise himself with a fake beard and glasses as well. As certain persons already associate this disguise with Claire, such circumstances are ripe for a case of mistaken identity.